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When you get a new piece of Musical Gear... Be it hardware, software, rack-mount, stomp box, and so on... Put away the instructions aside from the set-up and throw the troubleshoot guide into the trash... Accidents and ignorance creates beautiful mistakes... (Jaco Pastorius : 1951 - 1987)

Thursday, June 19, 2003
A slight of Jobim ...



Tall and tan and young and lovely,
The girl from Ipanema goes walking,
And when she passes ..each one she passes goes "a-a-ah!"

- Girl from Ipanema -

Your love is rain
my heart the flower,
I need your love or I will die
My very life is in your power,
Will I wither and fade or bloom to the sky
Agua de beber, Give the flower water to drink,
Agua de beber, Give the flower water to drink

- Agua de Beber -


Antonio Carlos ("Tom") Jobim (1925-1994) was undeniably one of the great Brazilian composers, a globally known songwriter who shares equal rank with the Gershwins, Cole Porter and The Beatles. His arrangements combined modernist classical touches with a suave swing similar to North Amercan "cool" jazz, rendering individual musical parts with such deceptive simplicity that it masks the gorgeous harmonic structures, while captivating listeners and musicians alike. These twin elements combine to make his songs universal classics. Jobim pioneered bossa nova, and wrote many of its greatest hits, notably "The Girl From Ipanema" and "Desafinado." He also helped get the other great bossa nova legend, Joao Gilberto, his first solo recording contract, and helped popularize the new musical style worldwide in the early 1960s.



As a recording artist, however, Jobim can be troublesome. His work with Frank Sinatra and Nelson Riddle is indicative of his crossover ambitions, but it is his endless series of collaborations with jazz-pop arranger Claus Ogerman which define his recording career. Unfortunately, these usually emphasized instrumental work, rather than vocals -- while musically complex, many of these tracks were also abjectly cheesy, if a bit overwrought. still, as more of his concert performances (as opposed to studio albums) come to light, I've come to modify my harsh opinion of Jobim as a performer.
If you haven't familiar who is Jobim , well for start , you can buy this tribute to him :

"A TRIBUTE TO ANTONIO CARLOS JOBIM"

Fun stuff. This mostly-European, mostly-French, indie-rock tribute album has several highlights, including a witty rendition of "Girl From Ipanema" by Japan's Pizzicato 5, and a healthy dose of Franco-fied versions of Jobim's bossa standards. Anyone approaching this disc who is familiar with the plenitude of reverential Brazilian versions of these old classics will be struck by the varied and refreshingly new takes on such well-worn material. Swedish rocker Ray Wonder gets major points for his playful, lavishly layered, electric-guitar heavy version of "One Note Samba"; similarly the surf/spy guitars on Tango & Lee Marr's "Agua de Beber" are an unlikely and quite pleasant twist, and Sean O'Hagan (Stereolab, High Llamas) gets in some nice licks as well. Interestingly enough, the British contributions to this project more often than not fall a bit flat -- although Stuart Moxham has a tasteful turn, other tracks by the Walkabouts and John Cunningham are less interesting. In the main, though, this disc is full of rewarding material. If you're ready for a little playful tweaking on the Jobim canon, you got Jazz then !


words by Rivergaia 9:16 PM

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